A documentary exploring secret lives, behavior and extreme levels of human-beast intimacy and communication, focusing on the 'only in New York' story of Antoine Yates and his cohabitation in a Harlem high-rise with Ming, a five-hundred-pound tiger and Al, a seven-foot alligator, combined with filmic observation of predators in domesticated geographies.

Twenty One is an American game show which aired in the late 1950s. While it included the most popular contestant of the quiz show era, it became notorious for being a rigged quiz show which nearly caused the demise of the entire genre in the wake of United States Senate investigations. The 1994 movie Quiz Show is based on these events. A new version aired in 2000 with Maury Povich hosting, lasting about five months on NBC.

Twenty-One Points is a light-hearted and eccentric buddy movie between a grown man, his imaginary friend, and his Mum. Set over a single day in suburban New Zealand.

Katie is a free spirited independently minded 21-year-old. The film follows her as she reflects on the men in her life. Along the way we meet her drug addict boyfriend Bobby, her lover Jack, close friend Baldy, and her father.

A crooked real estate tycoon tricks a trusting young woman out of her small candy store. When he is found dead, the girl is suspected of the crime.

An ambitious girl named Fay Mulberry desperately longs to get out of the drug-infested and violence-ridden New York neighborhood in which she lives. Bright and gifted with promise for a successful future, Fay finds her college hopes dashed when she starts to spend time with a charming drug dealer and is soon faced with a catastrophic turn of events that could forever impede her attempts at success.

Interesting fifteen episode miniseries broadcast weekly by BBC in 1954-1955. It covers different aspects of the air war during World War II. It also briefly contextualises the development of aircraft immediately before and after the war.

The magnificent castles of the Dordogne province of France and the fairytale countryside surrounding them, narrated by Valentine Dyall.

A young riveter working high up on a steel girder watches a girl practising a tap-dance in a building opposite, and while applauding her, he loses his balance and falls.

Let us imagine isolation, fear, almost generic fear, and ancient, pervasive, self-generated. This fear becomes a system. The little man, forced, struggled to maintain his minimal right, the right to survive. But today, this crushed, squeezed, almost destroyed little man stands on the border, the one that separates— or unites—the old system and the new, the world of competition, where survival is precisely through profitability, profit. Then the little man becomes the hero, the model, the hero of this almost demonological thriller.